I’m reading a fantastic book called Thinking Fast and Slow, by Nobel Prize Winner, Daniel Kahneman. I can’t get more than 5 pages into it without taking a page of notes and implications. I end up thinking so hard and making so many connections in my head that I’m sometimes exhausted after a brief session of reading then taking notes. Paperback edition highly recommended.
There’s a point made that there is an experiencing self, and a remembering self. That is, “how are things right now,” and “how were things, on the whole?” It reminds me that our minds are essentially comprised of a long history of memories, and a thing slice of experience that feeds that collection. So we should work to preserve and enhance those from the perspective of the future, not our experiences as we live them. We are a moment in the experience, a lifetime in its memory.
This is how I tend to write, as well. To absolutely and faithfully record the facts as I lived them is an illusion. It is always tainted by my perspective at the time and ignores any future realizations. My experience at the time is, by necessity, incomplete. Why bother to record an incomplete story?
Instead, I like to write with the benefit of future perspective, analysis, and insight. This tells the true story, even if the details are not impartially recorded. A shorthand is to write the story as you will remember it, not as you lived it. This also allows for curation and rebelling that’s more humorous, dramatic, compelling, and more human that the experienced self found it to be. That’s what has (hopefully) allowed me to keep an entertaining and informative blog for so many years.
Research on eye movement suggests that there are some strange benefits to some eye movements. For example, there seems to be a correlation between eye movement and creativity. And there also seems to be a correlation between eye movement and memory. That’s an interesting finding considering that these eye movements roughly match what you’ll do when you’re reading an actual book. But it’s not the movement you’ll be making when listening to a book on tape, or (in my experience) reading on a computer screen where you tend to move your head not your eyes. Vive la papier!